Editorial Reviews
From Publishers Weekly
When Ram Mohammad Thomas, an orphaned, uneducated waiter from Mumbai, wins a billion rupees on a quiz show, he finds himself thrown in jail. (Unable to pay out the prize, the program's producers bribed local authorities to declare Ram a cheater.) Enter attractive lawyer Smita Shah, to get Ram out of prison and listen to him explain, via flashbacks, how he knew the answers to all the show's questions. Indian diplomat Swarup's fanciful debut is based on a sound premise: you learn a lot about the world by living in it (Ram has survived abandonment, child abuse, murder). And just as the quiz show format is meant to distill his life story (each question prompts a separate flashback), Ram's life seems intended to distill the predicament of India's underclass in general. Rushdie's Midnight's Children may have been a model: Ram's brash yet innocent voice recalls that of Saleem Sinai, Rushdie's narrator, and the sheer number of Ram's near-death adventures represents the life of the underprivileged in India, just as Saleem wore a map of India, quite literally, on his face. But Swarup's prose is sometimes flat and the story's picaresque form turns predictable. Ram is a likable fellow, but this q&a with him, though clever, grows wearying.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
When Ram Mohammad Thomas, an orphaned, uneducated waiter from Mumbai, wins a billion rupees on a quiz show, he finds himself thrown in jail. (Unable to pay out the prize, the program's producers bribed local authorities to declare Ram a cheater.) Enter attractive lawyer Smita Shah, to get Ram out of prison and listen to him explain, via flashbacks, how he knew the answers to all the show's questions. Indian diplomat Swarup's fanciful debut is based on a sound premise: you learn a lot about the world by living in it (Ram has survived abandonment, child abuse, murder). And just as the quiz show format is meant to distill his life story (each question prompts a separate flashback), Ram's life seems intended to distill the predicament of India's underclass in general. Rushdie's Midnight's Children may have been a model: Ram's brash yet innocent voice recalls that of Saleem Sinai, Rushdie's narrator, and the sheer number of Ram's near-death adventures represents the life of the underprivileged in India, just as Saleem wore a map of India, quite literally, on his face. But Swarup's prose is sometimes flat and the story's picaresque form turns predictable. Ram is a likable fellow, but this q&a with him, though clever, grows wearying.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
